If you write fiction, what is your process?
At last the writing of the Gaia’s Majesty Trilogy began. It led initially to scattered notes which shaped a global outline. As I said previously, I found definitive guidance in the story arc process described by Dara Marks. It is visually and conceptually helpful and is found in her book INSIDE STORY.
When looking at the arc I became immediately aware of how I had been seeing the process in films. Being highly visual myself, it made sense. And then I looked at my notes and could see that much of it fit her arc. In fact each book fit the arc and all three books together composed an arc. Amazing! It turned out that moving a few chapters reinforced the overall arc. It was then that the outpouring took the form of the actual detailed writing following the construction.
One of the things that became clear was that there was an intuitive process in writing, at least for some of us. My notes indicated a fundamental attraction to an arc. I had not been aware of it. What Marks had put together was a highly useful guide. Unbounded creativity is one thing, but it also takes shaping if it is to be sufficiently grounded.
Interaction with Characters
The whole process was so compelling that I did not stop with book 1, but went straight through a first draft for all three books. That turned out to be crucial because back and forth reinforcements and shaping were occurring. With all three books in view I could see which characters were working or had staying power. I had to kill one of my darling characters and reshaped others. I also began to discover secrets for some of the characters which had to be worked out in the plot. This process added interest and led to firming up of the arcs.
Detailing often came to shape the story. Once the substance of a given character became clear, that in turn led to refinement of plot and interactions. There was obviously a very dynamic process involved.
It was also apparent that layering was occurring. And having all three books was proving crucial. The foundation had been laid, the flow of the arcs established and the characters developed more fully. I could clearly see that my intuitive personality function had been crucial to the concept and my thinking type auxiliary was helping me with the building as well as helping me seek resources.
As a psychologist I couldn’t resist looking at the process in general and also the contributions made by each component of the person doing the writing. And, of course, fiction leads us to lessons about our own humanity. We resonate to certain characters more than others and that speaks to who we are as a person. Do we get affirmation of ourselves or does it lead us to self examination and refinement? And what of the villains or the people to whom we do not resonate? Surely we have lessons to be learned from them and revelations.
Clearly reading is not a passive activity. It enhances our lives and ourselves. And then there is the question of what it may do for the author.
What processes in your life lead you to personal development?
Roger B. Burt’s Amazon home page